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I am a Conceptual Artist
cynthiamoth
22/Female/United States
Why I Am Here
No reason given yet
Last Visit: 33 weeks ago
Cynthia
Art Zone
Personal Zone
Misc. Zone
This is the place where you can personalize your profile!
But, how?
By moving, adding and personalizing widgets.
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Certain widgets can only be added to certain zones.
"Why," you ask? Because we want profile pages to have freedom of customization, but also to have some consistency. This way, when anyone visits a deviant, they know they can always find the art in the top left, and personal info in the top right.
Don't forget, restraints can bring out the creativity in you!
Now go forth and astound us all with your devious profiles!
Amanda Besl, my current fav. I wanted to pay my respects to her by promoting her on this site. See her work at [link]
Artist's Statement:
In my recent work I try to evoke an open-ended fiction while speaking of the documentary quality of photography, the language of fashion photography, the viscosity of oil paint, and the transient nature of memory. My paintings emerge from a cultural feminine perspective, exploring the complexities of an aesthetic that fetishizes youth. The images are a string of metaphors that build series of events. The paintings are small in size in order to allow a more intimate viewing experience and to recall their history as photographic images. They pop from the wall off beveled edges to create a staccato rhythm of frozen suggestive moments. My pieces are cinematic in nature. I link seemingly unrelated sensory images which inform each other as narrative moments. The subject matter balances on the fine line between the mundane and the obscure. To view these paintings is to partake in a visual eavesdropping on the secretive world that engulfs today's girl.
I focus upon metaphors of the transient nature of adolescence. Horses act as a suggestive counterpart in paintings which are mostly devoid of human males. The fetishistic quality of these pocket-sized worlds emphasizes the idea of obsessive crushes. I am interested in heroic transformations of ordinary events which exist both as dark psychological secrets and as adult fairy tales supplanting their predecessors. These paintings are not nostalgic, except as personal nostalgia. They are not apologetic or hedonistic and have any number of possible endings or possibly no ending—just a pause, a breath.
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When you have insomnia, you're never really asleep... and you're never really awake. With insomnia, nothing is real. Everything is far away. Everything is a copy of a copy of a copy.
Nostalgia
Marathon
Solitaire
Resonance
Amanda Besl, my current fav. I wanted to pay my respects to her by promoting her on this site. See her work at [link]
Artist's Statement:
In my recent work I try to evoke an open-ended fiction while speaking of the documentary quality of photography, the language of fashion photography, the viscosity of oil paint, and the transient nature of memory. My paintings emerge from a cultural feminine perspective, exploring the complexities of an aesthetic that fetishizes youth. The images are a string of metaphors that build series of events. The paintings are small in size in order to allow a more intimate viewing experience and to recall their history as photographic images. They pop from the wall off beveled edges to create a staccato rhythm of frozen suggestive moments. My pieces are cinematic in nature. I link seemingly unrelated sensory images which inform each other as narrative moments. The subject matter balances on the fine line between the mundane and the obscure. To view these paintings is to partake in a visual eavesdropping on the secretive world that engulfs today's girl.
I focus upon metaphors of the transient nature of adolescence. Horses act as a suggestive counterpart in paintings which are mostly devoid of human males. The fetishistic quality of these pocket-sized worlds emphasizes the idea of obsessive crushes. I am interested in heroic transformations of ordinary events which exist both as dark psychological secrets and as adult fairy tales supplanting their predecessors. These paintings are not nostalgic, except as personal nostalgia. They are not apologetic or hedonistic and have any number of possible endings or possibly no ending—just a pause, a breath.
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[link] my website
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When you have insomnia, you're never really asleep... and you're never really awake. With insomnia, nothing is real. Everything is far away. Everything is a copy of a copy of a copy.
--
Talk sense to a fool and he will call u foolish.
Listen to my musick here
awww, my sissy-pooh can draw!
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